On this album Lien and Center tries to answer this question by digging deep into the material. The title means “turn each stone”, and the duo does just that in the search for something common between the two genres. That was not as difficult as expected! The hypnotic pulse, mysterious vibes and a tempo you can dance to is common, also both musics often drones along without any changes of key.
The duo also quickly found that their combination set fire to dancefloors, with people going crazy at their live gigs.
For this album Kenneth played and producer Jørgen harvested the samples of the over and understrings of the traditional hardanger-fiddle, they sampled mouth harps, and they made drum machines play “springar” (a Norwegian traditional asynchronous rhythm and dance). It would be easy to water out traditions using electronic instruments since the technology tends to decide. Lien and Center refuse to do this, instead they go for amplifying the traditions to hopefully lay the ground for something new. Following this logic, the synths are tuned to natural scales, leaving the drum machines tumbling away to follow the steps of old folk dances.
All the tunes and rhythms are traditional, but can we say this about the
808 drums and 303 basslines of house and techno? Maybe club music is just a more recent type of folk music after all?
Kenneth Lien is a multiinstrumentalist with his roots in black metal and improvised rock. He plays a variety of traditional instruments such as fiddle, Hardanger fiddle, willows flute and last but not least mouth harp. He is most known from the trio Ævestaden, but has also put his mark on the Norwegian Kappleik (a traditional music contest) with a number of victories in the mouth harp category.
Jørgen Skjulstad is a musician and DJ, also known as Center of the Universe or DJ Sissyfus. Jørgen has released around 20 records under his own name and contributed on maybe around a hundred as a remixer and producer and also started the collective and studio Metronomicon Audio.
