On 27 September 1919, a new orchestra took to the stage of the old Logan Hall in Oslo to give its first public concert. Conductor Georg Schnéevoigt presided over thrilling performances of Edvard Grieg’s Piano Concerto and Christian Sinding’s First Symphony. After forty years of making-do, the Norwegian capital had at last got the orchestra it deserved. The Oslo Philharmonic was born. In the eight months that followed, the Oslo Philharmonic gave 135 concerts, most of which sold out. It tackled passionate Mahler, glistening Debussy and thrusting Nielsen. Soon, world famous musicians were coming to…
On 27 September 1919, a new orchestra took to the stage of the old Logan Hall in Oslo to give its first public concert. Conductor Georg Schnéevoigt presided over thrilling performances of Edvard Grieg’s Piano Concerto and Christian Sinding’s First Symphony. After forty years of making-do, the Norwegian capital had at last got the orchestra it deserved. The Oslo Philharmonic was born. In the eight months that followed, the Oslo Philharmonic gave 135 concerts, most of which sold out. It tackled passionate Mahler, glistening Debussy and thrusting Nielsen. Soon, world famous musicians were coming to conduct it, relishing its youth and enthusiasm. Igor Stravinsky and Maurice Ravel visited Oslo to coach the musicians through brand new music. National broadcaster NRK began to hang microphones at the orchestra’s concerts, transmitting them to the whole of Norway. Over the next half-century, the Oslo Philharmonic’s reputation grew steadily. Then, in 1979, it changed forever. A young Latvian arrived in Norway, taking the orchestra apart section-by-section, putting it back together a finely tuned machine with a whole new attitude. Under Mariss Jansons, the orchestra became a rival to the great Philharmonics of Vienna, Berlin and New York. It was soon playing everywhere, from Seattle to Salzburg, Lisbon to London. Back home in Oslo, it got a modern, permanent concert hall of its own. In 1986, EMI drew up the largest orchestral contract in its history, ensuring the world would hear the rich, visceral sound of the Oslo Philharmonic. Three decades after that, the world is still listening. The Oslo Philharmonic retains its spirit of discovery and its reputation for finesse. Under Jukka-Pekka Saraste it cultivated even more the weight and depth that Jansons had instilled; under new Chief Conductor Vasily Petrenko, it works at the highest levels of detail and style. Still the orchestra travels the globe, but it has never felt more at home. Its subscription season in Oslo features the best musicians in the business. Outdoor concerts attract tens of thousands; education and outreach programmes connect the orchestra with many hundreds more. In two years’ time, the thriving city of Oslo will celebrate 100 years of the Oslo Philharmonic, the firstclass orchestra it still deserves.
2017
Epitaffio
Oslo Philharmonic OrchestraMahler Symphony No. 6
Oslo Philharmonic OrchestraMahler Symphony No. 7
Oslo Philharmonic OrchestraLow Jive
Oslo Philharmonic OrchestraSymphonic Poems by Selmer and Svendsen. World Premiere Recording
Oslo Philharmonic OrchestraNorwegian Heartland – The Romantic Orchestral Heritage
Oslo Philharmonic OrchestraKnut Nystedt: Apocalypsis Joannis
Oslo Philharmonic OrchestraMahler Symphonies nos. 1 & 9
Oslo Philharmonic OrchestraBrahms Symphony no. 4 + Joachim Heinrich IV Overture
Oslo Philharmonic OrchestraIgor Stravinsky: The Firebird, complete ballet · Richard Strauss: Till Eulenspiegel
Oslo Philharmonic OrchestraFartein Valen Orchestral Songs & Symphonic Poems
Oslo Philharmonic Orchestra