Alexandra Opsahl studied recorder with Peter Holtslag and Daniel Bruggen at the Royal Academy of Music, graduating in 2004 with First Class Honors. She went on to study cornetto privately in Italy with Bruce Dickey, continuing these studies at the Schola Cantorum Basiliensis. She was the winner of the 2003 Moeck Solo Recorder competition, the 2001 and 2003 RAM Early Music Prize and 2003 Hilda Anderson Dean Award. She works now both as a cornettist and recorder player across Europe…
Alexandra Opsahl studied recorder with Peter Holtslag and Daniel Bruggen at the Royal Academy of Music, graduating in 2004 with First Class Honors. She went on to study cornetto privately in Italy with Bruce Dickey, continuing these studies at the Schola Cantorum Basiliensis. She was the winner of the 2003 Moeck Solo Recorder competition, the 2001 and 2003 RAM Early Music Prize and 2003 Hilda Anderson Dean Award. She works now both as a cornettist and recorder player across Europe and North America. Alexandra has performed with the Amsterdam Baroque Orchestra under Ton Koopman, the Orchestra of the Age of Enlightenment, Apollos Fire, the Green Mountain Project, Le Studio Musique Anciennes de Montréal, Cappella Artemisia, Musica Angelica, The Whole Noyse and American Bach Soloists. She has performed at the Berlin Philharmonie, Wigmore Hall, Purcell Room and the Royal Albert Hall, and played in filmed productions of LIncoronazione di Poppea with both Oslo Opera and Glyndebourne Opera. She recorded Vivaldis Concerto in C Minor, RV 441, with the Norwegian period orchestra Barokkanerne. Alex is a member of the Dark Horse Consort, and is the Music Director of LA-based ensemble Tesserae. October 2013