<\/p>\n
Music from the maousoleum<\/p>\n
The distinctive trio Huntsville continues to impress us on its fourth album, \u201cPast increasing, future receding\u201d. This is clearly the group\u2019s most atmospheric and monumental release so far. The excursion into an ever-darker landscape that began with the critically acclaimed LP \u201cFor Flowers, Cars and Merry Wars\u201d continues here. \u201cPast increasing, future receding\u201d was recorded in Emanuel Vigeland\u2019s Mausoleum at Slemdal in Oslo: a dimly lit \u2013 almost entirely dark \u2013 barrel-vaulted room completely covered with frescos painted by Emanuel Vigeland (1875-1948). The impression made by the dimly lit frescos, portraying hundreds of naked figures, is heightened by exceptional acoustic properties and a long-lasting echo. This unique room has gradually become a popular concert and recording venue for artists such as Stian Westerhus, Susanne Sundf\u00f8r, Diamanda Galas and Nils \u00d8kland. Even the most tentative sound evokes an enormous acoustic response in the Mausoleum. For the members of Huntsville, the overwhelming acoustics of the room became a sort of fourth member of the band while they were recording this new album. The music feels more hypnotic and visually evocative than on earlier albums, and demands the full attention of the listener. The album was the result of three intense working days with sound technician Thomas Hukkelberg. This time, too, the band mixed the album at Propeller Studio together with K\u00e5re Chr Vestrheim (Motorpsycho, Jaga Jazzist).<\/p>\n
<\/p>\n
The distinctive trio Huntsville continues to impress us on its fourth album, \u201cPast increasing future receding\u201d. This is clearly the group\u2019s most atmospheric and monumental release so far. The excursion into an ever-darker landscape that began with the critically acclaimed LP \u201cFor Flowers, Cars and Merry Wars\u201d continues here.<\/p>\n
Even the most tentative sound evokes an enormous acoustic response in the Mausoleum. For the members of Huntsville, the overwhelming acoustics of the room became a sort of fourth member of the band while they were recording this new album. The music feels more hypnotic and visually evocative than on earlier albums, and demands the full attention of the listener.<\/p>\n
The album was the result of three intense working days with sound technician Thomas Hukkelberg. This time, too, the band mixed the album at Propeller Studio together with K\u00e5re Chr Vestrheim (Motorpsycho, Jaga Jazzist).<\/p>\n
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