<\/p>\n
Paal Flaata interprets the master:\u00a0Come Tomorrow: Songs of Townes van Zandt. It is by no means an unfamiliar phenomenon that it is only when the last piece is fitted into a jigsaw puzzle that the entire picture becomes clear, and here\u2019s the last album of Paal Flaata\u2019s trilogy.\u00a0The new third album of the trilogy, Come Tomorrow: Songs of Townes van Zandt, joins Wait by the Fire: Songs of Chip Taylor (2012) and Bless Us All: Songs of Mickey Newbury (2014) to form an indispensable, complementary release. Townes van Zandt\u2019s songs have always held a special place in Paal\u2019s heart, and he had a firm foundation for choosing the ten songs that\u00a0constitute\u00a0\u201cCome Tomorrow\u201d.\u00a0The selection of Townes van Zandt\u2019s songs that can be heard on Come Tomorrow is drawn from the period from 1968 to 1978, and bears witness to a profound understanding of the artist and a good deal of research.The songs are presented in arrangements that preserve their poetic and melodic power with acute sensitivity. From the French horn in the opening of \u201cFlying Shoes\u201d, played by Rune Brodahl, to Lise Voldsdal\u2019s strings on the closing track, \u201cSnow Don\u2019t Fall\u201d, these interpretations assume their rightful place as an elegant and distinctive addition to the impressive canon of van Zandt\u2019s compositions.The title cut, \u201cCome Tomorrow\u201d, Paal sings as a duet with his daughter Maia Flaata.\u00a0 Come Tomorrow: Songs of Townes van Zandt was recorded at Amper Tone Studio in Oslo, and was produced by G\u00f8ran Grini and Paal Flaata.\u00a0This release is\u00a0Paal Flaata\u2019s seventh solo album.<\/p>\n
<\/p>\n
Paal Flaata interprets the master:\u00a0Come Tomorrow: Songs of Townes van Zandt<\/p>\n
The new third album of the trilogy, Come Tomorrow: Songs of Townes van Zandt, joins Wait by the Fire: Songs of Chip Taylor (2012) and Bless Us All: Songs of Mickey Newbury (2014) to form an indispensable, complementary release. Townes van Zandt\u2019s songs have always held a special place in Paal\u2019s heart, and he had a firm foundation for choosing the ten songs that\u00a0constitute\u00a0\u201cCome Tomorrow\u201d.\u00a0The selection of Townes van Zandt\u2019s songs that can be heard on Come Tomorrow is drawn from the period from 1968 to 1978, and bears witness to a profound understanding of the artist and a great deal of research.The songs are presented in arrangements that preserve their poetic and melodic power with acute sensitivity. From the French horn in the opening of \u201cFlying Shoes\u201d, played by Rune Brodahl, to Lise Voldsdal\u2019s strings on the closing track, \u201cSnow Don\u2019t Fall\u201d, these interpretations assume their rightful place as an elegant and distinctive addition to the impressive canon of van Zandt\u2019s compositions.The title cut, \u201cCome Tomorrow\u201d, Paal sings as a duet with his daughter Maia Flaata.\u00a0 Come Tomorrow: Songs of Townes van Zandt was recorded at Amper Tone Studio in Oslo, and was produced by G\u00f8ran Grini and Paal Flaata.\u00a0This release is\u00a0Paal Flaata\u2019s seventh solo album.<\/p>\n
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