{"id":30686,"date":"1993-05-01T00:00:00","date_gmt":"1993-04-30T23:00:00","guid":{"rendered":"http:\/\/www.grappa.no\/no\/albums\/ukategorisert\/jean-philippe-rameau-pieces-de-clavecin-en-concerts\/"},"modified":"2019-02-22T15:38:40","modified_gmt":"2019-02-22T14:38:40","slug":"jean-philippe-rameau-pieces-de-clavecin-en-concerts","status":"publish","type":"product","link":"https:\/\/grappa.no\/en\/albums\/simax-classics\/jean-philippe-rameau-pieces-de-clavecin-en-concerts\/","title":{"rendered":"Jean Philippe Rameau: Pi\u00e8ces de clavecin en concerts"},"content":{"rendered":"<p><\/p>\n<p>An enrichment of tradition<\/p>\n<p>Violinist Catherine Mackintosh, one of the first of her generation to have specialised in early string techniques, Viola da gambist and cellist Laurence Dreyfus, a noted Bach scholar and specialist in 18th century performance practice, and the award-winning harpsichordist Ketil Haugsand, here performs the extraordinary work \u201cPi\u00e8ces de Clavecin en concerts\u201d by Jean-Philippe Rameau. <\/p>\n<p>Rameau\u00b4s \u201dPi\u00e8ces\u201d should be heard as an enrichment the older generation French clavecinistes\u00b4 tradition of the emotive world, with the crucial difference being that Rameau not only broadens ideas of characterisation through the crafting of novel melodic \u201cphysiognomies\u201d but places a new accent on the depiction of polished conversation and the related art of dalliance. It should be remembered that Rameau, in addition to his position as one of the leading French composers of the eighteenth century, was also Europe\u00b4s premier music theorist, and the powerful harmonic direction of the \u201cPi\u00e8ces\u201d affirms both his superb control over harmonic grammar as well as his exploitation of the \u201cfundamental bass\u201d as a tool for discovering new and arresting progressions.<\/p>\n<p><!--more--><\/p>\n<h4><\/h4>\n<\/p>\n<h4><\/h4>\n<\/p>\n<h4><\/h4>\n<\/p>\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>Rameau\u00b4s \u201cPi\u00e8ces de Clavecin en concerts\u201d engages a complex set of emotional states.<\/p>\n","protected":false},"featured_media":30691,"comment_status":"closed","ping_status":"open","template":"","meta":[],"product_brand":[],"product_cat":[180],"product_tag":[],"class_list":{"0":"post-30686","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-simax-classics","7":"product_shipping_class-cddvd-shipping","8":"uni_artist_tag-arne-akselberg","9":"uni_artist_tag-catherine-mackintosh","10":"uni_artist_tag-jean-philippe-rameau","11":"uni_artist_tag-ketil-haugsand","12":"uni_artist_tag-laurence-dreyfus","13":"uni_main_artist_tag-ketil-haugsand","14":"uni_artist_genre-chamber-music","15":"uni_artist_genre-early-music","17":"first","18":"instock","19":"taxable","20":"shipping-taxable","21":"purchasable","22":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/product\/30686","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/comments?post=30686"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/media\/30691"}],"wp:attachment":[{"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/media?parent=30686"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/product_brand?post=30686"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/product_cat?post=30686"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/grappa.no\/en\/wp-json\/wp\/v2\/product_tag?post=30686"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}